McElvany heals youth with theater




Campus Times
March 20, 1998


photo by Alen Zilic

For more than two years, Scot McElvany has been using his theater experience helping young people in war-torn areas of Bosnia-Herzegovina and Croatia. Setting up workshops and teaching young people to express themselves through acting and performing, McElvany has presented his performing groups to the western countries of Europe. The ULV graduate is visiting California for two months before returning to his work.


by Reginald Miller
Staff Writer

Upon graduating, many students of the University of La Verne land jobs close to home or near the University; however, there is always an exception. Meet Scot McElvany.

Graduating in 1995 as a theater arts major, McElvany has traveled halfway around the world to foreign countries such as England, Germany and, most recently, to the war-torn area of Bosnia-Herzegovina.

Having devoted a part of his life to the Brethren Volunteer Service (BVS), McElvany lived in Mostar, Bosnia throughout most of his experience.

As he has dedicated himself to pursuing the craft of theater, McElvany's journey has also allowed him the chance to make a difference in the lives of the people around him.

As a member of the theater community, McElvany has presented the ideas of peace and unity among people through theater, allowing Serbs, Muslims and Croatians the opportunity to interact and work to a common goal.

"Then all of the sudden they meet and they realize that most of what they've heard about the other guy, the other side is mostly propaganda anyway," said McElvany, describing the intimate peace process.

He characterizes the settings for most of his productions as unconventional sites, such as village streets, old buildings and people's homes, as opposed to the typical production setting of a stage or theater.

McElvany arrived in Bosnia-Herzegovina in January of 1996. Upon arriving, he said an adjustment needed to be made to not only a different culture, but to the everyday trials of living around a war.

He remembers the first time he first saw the theater company's dog chase an army tank.

"The only hitch was that whole idea that I didn't know a thing about what had gone on in that city," he said.

In getting familiar and accustomed to the environment and his mission of service, McElvaney began working intensely with the company, directing several productions for some, and writing others. In addition, he started his own company, Crane-Made Produc-tions, which involved theater in Bosnia-Herzegovina which he believes is primarily about "physicalizing the contradictions of our world."

"I was working with people that actually went off to war -- off to the front lines -- after I worked with them," he said.

McElvany views theater as an interpretative tool toward the world and as a way of "processing history, processing social problems and processing relationships."

Of his endeavors, one of the greatest was writing and producing "Letters, Where Does the Postman Go When the Street Names Change?"

In this production, McElvaney further examined more of the problems and possible solutions to the war, as it would appear through the eyes of a postman.

Reflecting upon his life and future, McElvany knows he will return to Bosnia-Herzegovina. His recent stay in La Verne was only a vacation. He plans to continue providing theater and service to the people of Bosnia-Herzegovina until September of this year.

From that point, McElvaney anticipates travelling to Berlin in order to continue his study and production of theater.

He still questions his future, however, remembering the same questions he asked himself back in Bosnia: "Am I getting involved in the arts to teach this stuff? Or, you know, what am I doing as a writer, theater artist?"

Still, the solid tool of theater in the lives of the Serbs, Croatians and Muslims has, at the least, given him an idea of what he wants to do with his passion and his talent.

"Really my whole thing with theater has much less to do with the craft of acting or the craft of directing and has much more to do with theater, as an interpretative tool toward the world around us," he said.



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