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Musical Score by
Victor Herbert Original Book and Lyrics by |
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Director
Dr. David Flaten |
Musical Director
Dr. Scott Farthing |
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Scenic Designers
Dr. David Flaten & Elizabeth Pietrzak |
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Costume Designer
Maro Parian |
Lighting Designer
Elizabeth Pietrzak |
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Choreographer
Jessica Wotherspoon |
Stage Manager
Soraya Askari |
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Cast
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Marietta DAltena Etienne Grandet |
Andrea Randall James Darrah |
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or
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Chorus
Adela Amaya Glennda Bivens Britney Conner Krista Davis Dayita Datta Stephanie Duarte Oliver Garispe Wanda M. Groppi Ernie Granillo Elí Hernandez Nathan Lahr Sarah Morales Adriana Ortega Nicholas Pulido Rachel Rousseve Brianna Roth Jonathan Serret Chris Smith Melissa Stahly Michael Stallings Margaret S. Tipton Janah Valenzuela Whitney Wickham Colleen Wilke |
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Casquette Girls
Sarah Morales Heather Johnson Colleen Wilke Whitney Wickham Stephanie Duarte Rachel Rousseve Melissa Stahly Krista Davis |
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Rangers
Keith Watabayashi Nicholas Pulido Anthony Guerrero Michael Stallings Jonathan Serret Derek Wendt Nasir Najieb Oliver Garispe |
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Vendors
Nicholas Pulido Jonathan Serret Britney Conner Wanda Groppi Oliver Garispe Michael Stallings Anthony Guerrero Adela Amaya |
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Musicians
Piano................Dr. Scott Farthing Violin................Misa Kitagawa Trombone.........Nicholas Pulido |
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Technical Crew
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Technical Director
Properties Manager Sound Engineer Assistant Stage Manager Assistant Choreographer Assistant Costume Designer Properties Assistant Stitcher Fencing Choreographer Master Carpenter Lightboard Operator Followspot Operators Construction Crew Lighting Crew |
Elizabeth Pietrzak
Rebecca Campana Bob Mathiesson Christina Massengale Sarah Morales Rebecca Sheraev Elí Hernandez Melissa Murphy Keith Watabayashi Shannon Kern Esther Frank Melissa Lau and David Rojas Mary Himes, Rebecca Campana, Sylvia Torres, Corrine Cromwell, Sabrina Hernandez, Veronica Estrada, Siddeeqah Shabbaz, Melissa Stahly, Sarah Morales, Esther Frank, Anthony Guerrero, Brianna Roth, Whitney Wickham, Kim Reed, Lauren Kirk, Sarah Herringer, Rachel Rousseve, Oliver Garispe, Jeff Campana, Valerie Rojas, Dayita Datta, Andrea Randall, Nathan Lahr, James Darrah, Margaret Tipton, Chevi Chung, Elí Hernandez, Derek Wendt, Ernie Granillo, Jonathan Serret, Nicholas Pulido, Stephanie Duarte, Christina Massengale, Colleen Wilke Nathan Baca, Rebecca Campana, Sylvia Torres, Keith Watabayashi |
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Notes from the Director
Called one of the classics of the American musical theatre and described as a brilliantly scored piece that takes the traditional European light opera form and gives it a particularly American flavor, Victor Herberts Naughty Marietta was first produced in 1910. A Hollywood version, produced by MGM in the mid 1930s, was an important first co-starring vehicle for Jeaneatte MacDonald and Nelson Eddy. It was later produced for television in the 1955 with Alfred Drake and Patrice Munsel in the lead roles.The present adaptation moves the action of Naughty Marietta from New Orleans around 1750 to just before the Louisiana Purchase. It was commissioned by the New York City Opera in 1978 and was the first performance of Herbert's score by a major opera company in New York since 1930. Influenced by the development of the book musical theatre in the 1940s and 1950s, the intention of this adaptation was to create a more credible libretto, while still retaining the original characters, many of the original situations, most of the original lyrics, and, of course, all of Victor Herbert's magnificent score.The score has been carefully re-edited to correspond to Herbert's manuscript score and all musical cuts that had been acquired over the decades of amateur and stock productions have been restored. To Herbert's original score there have been several additions: All I Crave Is More of Life, which was written for the 1911-1912 tour of the show has been included in the second scene of Act I for Marietta's plea to Captain Dick for his help to allow her to stay in New Orleans. A passionate duet from Herbert's first opera The Prince of Ananais has been added with appropriate new lyrics for Adah and Etienne as "This Brave New Land." The sword fight has been added from the 1950 version of the play. We have adapted the ending to move away from melodramatic villainy and law and order justice to a higher order of justice that can come only from forgiveness and the opening of the heart. The production process has been thrilling for me. I give full credit to my colleague Dr. Scott Farthing who, in only a year at ULV, has created a c redible vocal music program that makes even proposing such a venture as this possible! I need as well to give more than mere credit to my co-designer, Beth Pietrzak who has ingeniously solved so many problems for me, Maro Parian who has taken on the awesome task of designing and assembling the biggest costume show we have ever done here, and choreographer Jessica Wotherspoon who has found a simple appearing, sweet "look" for each number while also carrying the demanding responsibilities of the role of Adah. And the talents and commitment of this wonderful young company embody the spirit of love and playfulness that make this world work. |
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"Ah, Sweet Mystery of Life at last Ive found thee!
Ah, I know at last the secret of it all! For tis Love and Love alone the world is seeking. And tis Love and Love alone that can repay! Tis the answer " |
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And that, finally is All That Is
Dr. David Flaten 8 November 2002 |
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