Musical Score by
Victor Herbert

Original Book and Lyrics by
Rida Johnson Young

Director
Dr. David Flaten
Musical Director
Dr. Scott Farthing
Scenic Designers
Dr. David Flaten & Elizabeth Pietrzak

Costume Designer
Maro Parian
Lighting Designer
Elizabeth Pietrzak
Choreographer
Jessica Wotherspoon
Stage Manager
Soraya Askari



Cast

Marietta D’Altena
Capt. Richard Warrington

Marietta D’Altena
Capt. Richard Warrington

Etienne Grandet
Adah LeClercq
Sister Domenique
Pierre LaFarge
Governor Grandet
Florenze
Silas Slick
Rudolfo
Sgt. Harry Blake
Thomas Bailey
Mére Marie
Innkeeper
1st Pirate
1st Flower Girl
2nd Flower Girl
1st Casquette Girl
2nd Casquette Girl
Fabric Vendor
Town Crier
Marionette Dancer
Marionette Dancer
Pierre
Plauche
Robillard
Major Domo
Commander Adams

Andrea Randall
Nathan Lahr

Kim Reed
Chris Smith

James Darrah
Jessica Wotherspoon
Margaret S. Tipton
Dr. Scott Farthing
Samantha Chung
Siddeeqah Shabazz
Nasir Najieb
Elí Hernandez
Keith Watabayashi
Anthony Guerrero
Dayita Datta
Brianna Roth
Derek J. Wendt
Wanda Groppi
Britney Conner
Rachel Rousseve
Sarah Morales
Adela Amaya
Ernie Granillo
Whitney Wickham
Jonathan Serret
Oliver Garispe
Nicholas Pulido
Jonathan Serret
Richard Uranga
Ernie Granillo

or


Chorus
Adela Amaya
Glennda Bivens
Britney Conner
Krista Davis
Dayita Datta
Stephanie Duarte
Oliver Garispe
Wanda M. Groppi
Ernie Granillo
Elí Hernandez
Nathan Lahr
Sarah Morales
Adriana Ortega
Nicholas Pulido
Rachel Rousseve
Brianna Roth
Jonathan Serret
Chris Smith
Melissa Stahly
Michael Stallings
Margaret S. Tipton
Janah Valenzuela
Whitney Wickham
Colleen Wilke
Casquette Girls
Sarah Morales
Heather Johnson
Colleen Wilke
Whitney Wickham
Stephanie Duarte
Rachel Rousseve
Melissa Stahly
Krista Davis
Rangers
Keith Watabayashi
Nicholas Pulido
Anthony Guerrero
Michael Stallings
Jonathan Serret
Derek Wendt
Nasir Najieb
Oliver Garispe
Vendors
Nicholas Pulido
Jonathan Serret
Britney Conner
Wanda Groppi
Oliver Garispe
Michael Stallings
Anthony Guerrero
Adela Amaya
Musicians
Piano................Dr. Scott Farthing
Violin................Misa Kitagawa
Trombone.........Nicholas Pulido
Technical Crew
Technical Director
Properties Manager
Sound Engineer
Assistant Stage Manager
Assistant Choreographer
Assistant Costume Designer Properties Assistant
Stitcher
Fencing Choreographer
Master Carpenter
Lightboard Operator
Followspot Operators
Construction Crew











Lighting Crew
Elizabeth Pietrzak
Rebecca Campana
Bob Mathiesson
Christina Massengale
Sarah Morales
Rebecca Sheraev
Elí Hernandez
Melissa Murphy
Keith Watabayashi
Shannon Kern
Esther Frank
Melissa Lau and David Rojas
Mary Himes, Rebecca Campana, Sylvia Torres, Corrine Cromwell, Sabrina Hernandez, Veronica Estrada, Siddeeqah Shabbaz, Melissa Stahly, Sarah Morales, Esther Frank, Anthony Guerrero, Brianna Roth, Whitney Wickham, Kim Reed, Lauren Kirk, Sarah Herringer, Rachel Rousseve, Oliver Garispe, Jeff Campana, Valerie Rojas, Dayita Datta, Andrea Randall, Nathan Lahr, James Darrah, Margaret Tipton, Chevi Chung, Elí Hernandez, Derek Wendt, Ernie Granillo, Jonathan Serret, Nicholas Pulido, Stephanie Duarte, Christina Massengale, Colleen Wilke
Nathan Baca, Rebecca Campana, Sylvia Torres, Keith Watabayashi

Notes from the Director

Called “one of the classics of the American musical theatre” and described as “a brilliantly scored piece that takes the traditional European light opera form and gives it a particularly American flavor,” Victor Herbert’s Naughty Marietta was first produced in 1910. A Hollywood version, produced by MGM in the mid 1930’s, was an important first co-starring vehicle for Jeaneatte MacDonald and Nelson Eddy. It was later produced for television in the 1955 with Alfred Drake and Patrice Munsel in the lead roles.
The present adaptation moves the action of Naughty Marietta from New Orleans around 1750 to just before the Louisiana Purchase. It was commissioned by the New York City Opera in 1978 and was the first performance of Herbert's score by a major opera company in New York since 1930. Influenced by the development of the “book musical” theatre in the 1940’s and 1950’s, the intention of this adaptation was to create a more credible libretto, while still retaining the original characters, many of the original situations, most of the original lyrics, and, of course, all of Victor Herbert's magnificent score.
T
he score has been carefully re-edited to correspond to Herbert's manuscript score and all musical cuts that had been acquired over the decades of amateur and stock productions have been restored. To Herbert's original score there have been several additions: “All I Crave Is More of Life,” which was written for the 1911-1912 tour of the show has been included in the second scene of Act I for Marietta's plea to Captain Dick for his help to allow her to stay in New Orleans. A passionate duet from Herbert's first opera The Prince of Ananais has been added with appropriate new lyrics for Adah and Etienne as "This Brave New Land." The sword fight has been added from the 1950 version of the play. We have adapted the ending to move away from melodramatic villainy and law and order justice to a higher order of justice that can come only from forgiveness and the opening of the heart.
The production process has been thrilling for me. I give full credit to my colleague Dr. Scott Farthing who, in only a year at ULV, has created a credible vocal music program that makes even proposing such a venture as
this possible! I need as well to give more than mere credit to my co-designer, Beth Pietrzak who has ingeniously solved so many problems for me, Maro Parian who has taken on the awesome task of designing and assembling the biggest costume show we have ever done here, and choreographer Jessica Wotherspoon who has found a simple appearing, sweet "look" for each number while also carrying the demanding responsibilities of the role of Adah. And the talents and commitment of this wonderful young company embody the spirit of love and playfulness that make this world work.
"Ah, Sweet Mystery of Life at last I’ve found thee!
Ah, I know at last the secret of it all!
For ‘tis Love and Love alone the world is seeking.
And ‘tis Love and Love alone that can repay!
‘Tis the answer…"
And that, finally is All That Is…

Dr. David Flaten
8 November 2002


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